1. The guitar first came to be known in the 14th century. When it was first known it had three pairs of strings including a single string which was for the high notes. It was thought to have originated in Spain where it became quite popular with the lower and middle class people in later into the 16th century. During the 16th and 17th centuries the guitar popularity spread into other European countries. Then by the 18th century on into the 19th century, the use of guitars spread across the world into the United States all the while forming into the type we use today. Two more strings were added for a sum of 6 strings, along with the shape and make of the guitar. The most popular maker of guitars is, Fender. Many music stars are known to use only this brand. Fender is known for the first electric guitar that was mass-produced, the Telecaster, the electric bass, the Precision Bass, and the very popular Stratocaster guitar.
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"This book contains a selection of magazine articles I published over the last forty years, as well as a couple of articles that were never published. I now know a lot more about certain subjects than I did when some of these articles were published and in using this material today, it became imperative to update it, correcting some of the mistakes I made in the past and adding new and relevant data. One of the significant updates in this volume is the complete translation from Russian of the guitar related material in the memoirs of Nikolai Petrovich Makarov (1810-1890).
Considering the challenges to some of my past arguments and data made over the years by colleagues that I found mistaken and unwarranted, I have taken the opportunity to restate some of my old contentions while explaining my reasons for doing so.
The book contains a rather extensive number of translations from French, Spanish, Italian, German and Russian sources. Unless otherwise stated, all translations are mine. To facilitate reading and reduce the space taken by footnotes, I opted for placing all the original sources in a separate chapter at the end of the book. Each quotation carries a cross reference capital letter, which will lead the interested reader to the foreign language source.
Over the years, many teachers have been using some of my published articles in support of their courses on guitar history. While this book does not pretend to fill the need for a college level guitar history textbook, the information contained herein could certainly enhance the teacher’s search for relevant historical data."